This Game We Play – capturing the SCA over three years

This Game We Play – capturing the SCA over three years

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Photographer Euan Forrester spent three years following the Society of Creative Anachronism (SCA) to better understand about the organization and the people who take part in it. He has now created a short film that showcases the wonderful photographs of their events:

Euan took in events from the northwest United States and Canada – known in SCA circles as the Kingdom on An Tir. This included travelling around British Columbia, Washington and Oregon.

He explains the project began when “my friend Nick asking me if I wanted to come to an event to take photos. He’d been in the SCA for a few years at that point, and always talked very excitedly about it. I was looking for another project to work on, and his descriptions of the training he was doing to be a heavy fighter (someone who fights with a sword and shield while wearing armour) reminded me of when I was in martial arts, so I felt a connection there. I was also into role-playing games and fantasy novels when I was younger, so this seemed like a neat way to get to explore that again in a different way as an adult.”

The Society for Creative Anachronism is one of the largest living history groups in the world, with over 60,000 participants. Founded in 1966, the group takes part in a wide-range of medieval-inspired activities, including medieval combat, feasting and recreating the look and life of people from the Middle Ages.

Euan’s project evolved over the three years – at first he was interested in following his friend as he took part in the events and moved up the ranks of the SCA, but over time it became more about the entire group and the medieval battles they take part in. “I wanted to dig in and try to understand the feelings behind what’s going on, as well as to show a breadth of different aspects of the group,” Euan explains.

As he watched and photographed these SCA events, Euan got to know the people who part in them, and he found them “just like everyone else. Going to an event, at least one where the fighting is the focus, feels to me like going to see a friend’s soccer or baseball game: there’s a field where the action is happening and it’s kind of the center of everything. But people are milling about and talking and their attention might drift in and out of the fighting itself.

“Being out in the field during the army battles felt like playing paintball to me: there’s people running around, and I’m a bit scared, and I can’t see very well because I’m wearing a helmet, but it’s very exciting and someone could pop out of nowhere at any second. Then in the evenings people sit around the fire and talk and dance and drink and sing and play games. So the people there are the sorts of people who enjoy those things, which I think are pretty normal sorts of things to enjoy.

“The last part I think is that many people there are dedicated to improving a craft, whether that’s fighting, or equestrianism, or dance, or sewing, or singing, or calligraphy, or any of a multitude of historical activities. Asking someone about their craft usually results in an interesting and in-depth conversation about their process of learning about it both from a historical perspective and also about how they’ve been improving their abilities.”

You can see more images from Euan Forrester Photography and follow Euan on Twitter @photoeuan

Watch the video: SCAM 1992 x IBD. SCAM 1992 - The Harshad Mehta Story (July 2022).


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